She is usually not very talkative and counteracts all kinds of provocations and threats with relentless offensive physical reactions, especially when such threats are directed towards Hinowa or her son Seita. In that form, she had slightly shorter hair and wore a black kimono around her shoulders, that, just like her original kimono, was decorated with autumn leaves.Īs someone who gave up everything that it means to be a woman to protect Hinowa, Tsukuyo is serious at all times, even when making jokes or finding herself in comedic situations. She’s often seen smoking a kiseru, a trait she shares with fellow characters, Takasugi Shinsuke, Doromizu Jirochou, Terada Tatsugorou and Kouka.ĭuring the events of the Dekoboko Arc, she, along with the majority of characters who appeared in this arc, switched genders due to a curse and was seen in her male form. She also wears fishnet stockings and black high-heel boots that reach just below the knee. On her right arm, she sports a detached sleeve that goes from her mid-bicep to her wrist. Tsukuyo’s preferred attire is a black kimono, without a right sleeve and exposing her right leg, decorated with autumn leaves, held by a red obi. The part of her hair that isn’t tied is left to run down her cheeks, reaching past her chin. Her shoulder-length hair is normally tied up at the back of her head, while her parted fringe is done up in a bun, held by two miniature kunai, both with red thread at the end on each side. She has a scar running horizontally across the left side of her forehead and another vertically down her left cheek. Tsukuyo is an attractive blonde woman of average height and slender figure. Unwilling to kill them, Tsukuyo decided to fake the deaths of prosecuted prostitutes and hide them among the Hyakka. Four years prior to meeting the Yorozuya, during a fire in Yoshiwara, Jiraia sacrificed himself to protect Tsukuyo, seemingly burning to death and leaving her to take over the leadership of Yoshiwara's paramilitary force, the Hyakka.Īs the new protector of Yoshiwara, it was her duty to assassinate prostitutes going against the law of Yoshiwara, which stated that prostitutes attempting to escape or not managing to bring in customers due to carrying unsightly scars or due to their old age had to be killed. It was then that Tsukuyo scarred her own face, thus throwing away her life as a woman in order to walk the same path as her disfigured master. With that wish in mind, she approached Jiraia, who agreed to take her under his wing and teach her the ninja arts. This changed once upon her witnessing Hinowa's a positive influence on the other courtesans, awaking Tsukuyo's desire to protect both Hinowa and Yoshiwara. Tsukuyo quickly grew up to hate Yoshiwara and the women who lived there, as she opposed the idea of simply accepting the life of a courtesan. Sold to Yoshiwara at a very young age, Tsukuyo became the apprentice of courtesan Kamekichi, under whose supervision she suffered due to her distinct lack of obedience.
10.1 Gintama The Final Chapter: Be Forever Yorozuya.She has ties with Hinowa, who also helped raise her like an older sister/mother through her childhood. Her loyalty and home lies with Hinowa in the underground city of Yoshiwara. That is "Friends, A Home, and Precious Things To Protect" as told by Jiraia. While the original motive for Jiraia was to instill every bit of despair and tragedy of his own life into Tsukuyo, of who he refers to as his art or perfect creation, Tsukuyo ended up growing attached to what he did not manage to do. She has a difficult past being orphaned as a child, only to be picked up and raised by a ruthless and deadly assassin, Jiraia. Despite appearing to be a heartless person when approached by Odd Jobs when he arrives to Yoshiwara, throwing a fake kunai to their foreheads, she later becomes friends with them. One of the better known Hundred Blooms of Yoshiwara, a law enforcement squad of Yoshiwara that consists of all females, deployed by the Night King Hosen. Tsukuyo is a blonde-haired woman with a scar over her forehead and left cheek.
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